new podcasts

5. Kara Oehler: Being Really Internetty by Elaine Sheldon

It’s difficult to sum up what Kara Oehler does in a single title. The process quickly turns into a hyphenated chain of words--documentarian-radio producer-tech founder-interactive media producer-entrepreneur-academic. We chatted with the co-founder of Zeega and GoPop--the latter which was recently acquired by Buzzfeed--about her early influences, growing up in the woods of Indiana, starting communities like UnionDocs Collaborative Studio and metaLAB at Harvard, living out of her car to document Main Streets across America, and being a female in the tech and startup world. Come along for the ride, it’s a lot of fun.


To start a genre, and to form a community, you have to make up all the words for it. There are a lot of words like that, interactive documentary is one. There was point where that combination of words had no search results on Google. But then you start writing about it, talking about it at conferences and then it becomes a genre.
— Kara Oehler, co-founder of Zeega & GoPop

RELATED LINKS

Kara on Twitter

Buzzfeed Acquires Go-Pop

Zeega Storytelling Platform

Union Docs Collaborative

Mapping Main Street Interactive Documentary

Kara’s Audio Documentaries: Third Coast Festival 

Matter VC 

Kara as “Woman Celebrates 4th Year Of Weaning Self Off Facebook“ via The Onion

How to Pronounce GIF


Who is your career role model? I've got an incredible group of passionate friends and family who are all doing amazing work. I get inspiration from them every day. And my parents.

What is a tool you can't live without? I love my Sound Devices 722. I've had it since 2005 and it creates the most beautiful recordings. And this winter, my LL Bean duck boots have been clutch.

How do you take your coffee? At home: french press, black. At a fancy coffee shop: latte.

What's your spirit animal? Llamacorn (Llama + Unicorn)

Name: Kara Oehler

Current City: Brooklyn, NY

Date of Birth: 1978

What are you listening to now? I'm loving the Radiotopia podcasts, Gimlet podcasts, and Invisibilia. I find out about new releases from Other Music's email list and listen to a lot of WFMU.

What film/book/show/piece of media changed you? I'm a huge admirer of South African artist William Kentridge. The first piece I saw of his was a work called Black Box / Chambre Noir. It was a study for his artistic direction of a staging of the opera The Magic Flute, employing charcoal drawings, mechanical moving puppets and projections within a black box. He used this medium to tell the story of the Herero genocide in Namibia under German colonial rule in the early 1900s. The piece completely took me by surprise. I sat in front of it for a couple hours and wept. In 2010, I interviewed Kentridge and asked him about approaching subjects like genocide or apartheid in this way. Here's what he said:

“To be human at all is to say, we need to forget a huge amount. But hold on to a tiny amount. But there’s some band between remembering and forgetting in which we can survive and exist. And I suppose the drawings in one sense take that narrow band and move within it and say, this is the band within human experience.”

I think it’s often the job of storytelling to try and find that band - that entry point for people to be able to take in information and question their own role as a witness or participant, or to just simply connect with a stranger's story. And this is something that Kentridge does with so much thought, emotion and skill.


CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

CLIPS FEATURED IN SHOW:

Suzuki Method 

This American Life #277, Apology 

Korva Coleman (NPR)

“And I Walked” Third Coast

2008 Presidential Debate 

3. Anna Sale: Let’s Talk About Death, Sex & Money by Elaine Sheldon

Anna Sale is the creator, host and managing editor of WNYC’s podcast, Death, Sex & Money, a biweekly show featuring intimate interviews with both celebrities and commoners alike, that has risen to the top of the iTunes charts. She’s a public media veteran who covered the 2012 presidential campaign and has contributed to This American Life, NPR, Marketplace, Studio 360, PBS Newshour, and Slate. In this episode, Anna talks about her West Virginian (or Appalachian) roots, being a self-proclaimed “honorable detector of snobs”, coming into journalism as an activist, landing her first job, coping with divorce, the art of the interview and the challenge of telling stories that aren’t often featured on the front page. You’re in for a real treat. Anna has a special gift, a voice made to be heard. You can hear the smile in her voice.


Name: Anna Sale

Current City: NYC 

DOB: 1980

What are you listening to? D'Angelo's Black Messiah

What film/book/show/piece of media changed you? There are so many. A recent favorite was the film, "Stories We Tell" by Sarah Polley.

Who is your career role model? Terry, forever.

What is a tool you can't live without? ProTools, Google Docs, My worn-down, audio-in-one-ear tangled earbuds.

How do you take your coffee? Black, mostly. With soy if I'm in a fancy place.

What’s your spirit animal? A mule. I was getting a massage in Tampa in 2012, just after the Republican National Convention, and this sweet masseuse--young guy, bleached hair, pierced face--told me that was the essence he was reading: Wild and free like a horse plus a pleaser/hardworker, like a donkey=mule.

When I was putting together Death, Sexy & Money I wasn’t thinking of it as a women’s show or a show where we talk about women’s stories or the women’s view on things. Because I think no matter what your sexuality or your gender, there’s a lot happening that’s shifting the ways that we think about what the stories of our lives are in the U.S. So, I want to do both. But I think just making the base assumption when you’re doing a story that the details of this woman’s story is important. Given the history of women in this country in the past 100 years, that’s still a radical thing. So it feels good to be a part of that.
— Anna Sale

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

CLIPS FEATURED IN SHOW:

DS&M: How to Be a Man With Bill Withers

DS&M: I Killed Someone. Now I Have 3 Kids.

DS&M: Ellen Burstyn's Lessons on Survival

DS&M: The NFL Made Me Rich. I Won't Watch It Now.

DS&M: Dan Savage Says Cheating Happens. And That's OK.

DS&M: Jane Fonda After Death and Divorce

DS&M: This Senator Saved My Love Life

MUSIC FEATURED IN SHOW:

Cassie Lopez

Tiny Folk

Hudson

 

2. Lyric Cabral: You Gotta Have a Beat by Elaine Sheldon

Lyric Cabral is a photojournalist and documentary filmmaker based in the Bronx. She, along with her co-director David Felix Sutcliffe, premiered her feature-length film (T)ERROR at Sundance this year in the US Documentary category. (T)ERROR is billed as “the first film to document on camera a covert counterterrorism sting,” but the documentary has been in the works for over a decade. Lyric came across the film’s subject, an FBI informant, when she was only 19, but knew she was too young to tackle the story then. Lyric talks about the uncomfortable situations she’s found herself in as a photojournalist, being inspired by Gordon Parks, spending over a decade covering national security issues, and returning to a story 12 years after discovering it.


Name: Lyric R. Cabral

Current City: New York City

DOB: 1982

What are you listening to? D'angelo and the Vanguard "Black Messiah"

What film/book/show/piece of media changed you? I really appreciate the silent film "Sidewalk Stories" by Charles Lane. I saw the film at a time when I was making the professional transition from still photography to moving images. The film is quite moving for me because each frame is beautifully photographed, and reflects an attention to detail that reveals the sensitivities and struggles of life in New York city.

Who is your career role model? Someone who I admire personally and professionally is filmmaker Shola Lynch. I value that her body of work critically examines the lives of Black women (Shirley Chisholm, Angela Davis) in America, as these stories are typically lesser seen on screen. Shola is a meticulous archivist and historian, who researched "Free Angela" for 8 years. I am inspired by the tremendous commitment that motivates each of her films, and by the engaging narratives that she presents on screen.

What is a tool you can't live without? I really appreciate Twitter. I am able to access the perspectives of citizen journalists around the world, and research stories in a unique way.

How do you take your coffee?  One sugar and a little whole milk

What’s your spirit animal? A calico cat

 

LyricCabral-SheDoesPodcast
 

RELATED LINKS

I am the type of journalist that I’m never done. I don’t drop in and drop out. Whether they get a Christmas card from me, or I try to call, I just really try to stay in touch with people. I really don’t like the feeling of: I come in. I document you. I publish it. And then I just leave you alone with the consequences of whatever happens because you are now public. I’m never quite done.
— Lyric R. Cabral

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

 

CLIPS FEATURED IN SHOW:

Blank Panther archival, (T)ERROR

Teaser by Elaine Sheldon

Photo by Kerrin Sheldon

Photo by Kerrin Sheldon

 

Elaine Sheldon and Sarah Ginsburg introduce their new podcast, which launches on January 14th, 2015. Listen to soundbites from the first episodes of the series. Find us on on iTunes and Soundcloud. 

Thanks to our partner, Filmmaker Magazine, who will be running articles about each of our guests and co-hosting our bi-weekly Google Hangouts where YOU get to ask our guests your questions.

GUESTS FEATURED IN TEASER:
Bianca Giaever
Katie McKay
Anna Sale
Kara Oehler
Ingrid Kopp
Lyric Cabral
Lina Srivastava
Katja Blichfeld

MUSIC: 
"Kosmiche Slop" by Anenon 
"Proton Beat" by Gangi 
"Siesta" by Jahzzar
"Ascendant" by K. Laba Music