photography

34. Lynsey Addario: A Degree of Hunger /  by Elaine Sheldon

Lynsey.jpg

Lynsey Addario is an award-winning American photojournalist who contributes regularly to The New York Times, National Geographic, and Time Magazine. She’s documented both headline news and intimate stories all around the word. In Iraq, Syria, Lebanon, and Libya she has given us an up-close view of war and revolution. She’s brought us stories of Maternal Mortality in Sierra Leone, sexual assault in Madagascar, rape in the DRC, heroin addiction in Afghanistan, and life before and after the Taliban. 

Her memoir, titled “It’s What I Do" recounts over 20 years of becoming one of our most renowned photojournalists. It was acquired by Warner Brothers and Steven Spielberg is expected to direct the film. Jennifer Lawrence has been cast to portray Lynsey - and we talk about that in this episode.

Also in this episode, we also talk about courage on the front lines, the risks and trauma associated with her work, respecting cultures that aren’t her own, how she makes a living and how she manages her time.

Related LINKS:

“I still think of myself as that same person who is struggling to get assignments. I firmly believe in life it’s important to not be too comfortable and confident. I think you have to have some degree of hunger. I want to keep pushing myself to be a better person and photographer. ”
— Lynsey Addario

19. Stacy Kranitz: I Play A Little With Fire /  by Elaine Sheldon

Stacy Kranitz is a documentary photographer who explores history, representation and otherness. She has developed her style, one that is full of movement, emotionally raw, gritty and features individuals in their environments. These individuals are sometimes new subjects, and other times her longtime friends; folks she has been documenting since she started her work in Appalachia in 2009. Stacy’s photos are sometimes bloody, many times violent, often sexualized, occasionally drug-induced, and always causing a stir. She has documented people and places all around the world, including snake handlers in Appalachia, cockfighting in Louisiana and black metal bands in Norway. Her work has been featured in VICE, New York Times Magazine, CNN, Mother Jones, TIME and Oxford American, among others. She also just completed her first feature documentary, “From the Study on Post-Pubescent Manhood.” In this episode, Stacy talks about facing criticism, the dishonesty of photojournalism, documenting violent situations, living out of her car, and blurring the lines between photographer and subject.

Related Links:

Stacy's Instagram

Stacy's Work:

 "As It Was Given To Me" (Appalachia work)

"The Crevasse Of The Reich" (Nazi Reenactors)

Skatopia (TIME)

"Life In Appalachia. Regression to the Mean" (CNN)

"Sausage Castle" (VICE)

Black Metal Bands in Norway (Revolver)

Cockfights in Louisiana

Interview with Stacy (ISSUE Magazine)

Trailer for Stacy's feature doc, "From the Study on Post Pubescent Manhood"

“I don’t like being yelled at. I don’t like having a subject tell me that I treated them poorly, or I misrepresented them. That is difficult. But I can’t make this work without knowing that that’s going to be part of it. Even if the conversation goes against me and is not in favor of what I’m doing, it’s still part of the greater good of what I want from the project.”
— Stacy Kranitz

Name: Stacy Kranitz

Current City: Los Angeles

What are you listening to now? Diana Ross, Reach out I'll Be There

What film/book/show/piece of media changed you? 

  • Trihn T Min-Ha's film Reassemblage
  • George Gittoes's film The Miscreants of Taliwood
  • Elizabeth Barret's film Stranger With a Camera
  • Walid Raad's Atlas Project
  • Martha Rosler's writings on Documentary photography
  • Boris Mikhlov's book of photographs, Case History
  • Ed Templeton's Zines Teenagers Kissing and Teenagers Smoking
  • Carrie Mae Weems The Kitchen Table series
  • Peter Matthiessen's novel Shadow Country

Who is your career role model? Leni Riefenstahl. Rather than seek out a simple role model who fits a classic heroine profile, I am intrigued by the complex story of a woman I both love and hate. In Riefenstahl, I find a multidimensional character with a focused vision and a murky set of morals. These grey areas speak to my desire to understand people beyond the constraints of good versus evil. 

What is a tool you can't live without? Dresses with flowers on them

How do you take your coffee/tea? iced coffee, with a little bit of cream

What's your spirit animal? All the alligator's that live in Lake Martin, Louisiana

Updates? I'll be in Central Appalachia this summer working on my project As it Was Give(n) To Me. In October this project will be shown in Wales as part of the Diffusion photography festival. I just finished my first feature length documentary film, From the Study on Post-Pubescent Manhood.

CREDITS:

Produced by Elaine Sheldon & Sarah Ginsburg

Sound design by Billy Wirasnik

Illustration by Christine Cover

 

MUSIC by Dirty Dishes (meet Jenny next week!)

  • Dinner Bell
  • Sugar Plum Fairies
  • Guilty
  • Lackluster
  • Dan Cortez

CLIPS FEATURED IN SHOW:

Skatopia (trailer)

13. Maggie Steber: There Are Worse Places To Die /  by Elaine Sheldon

Maggie Steber is a prolific documentary photographer who has worked in 65 countries around the world focusing on humanitarian, cultural, and social stories. For over three decades, Maggie has worked in Haiti, an experience that has impacted her emotionally and personally and led to her book “Dancing on Fire.” She has received the Leica Medal of Excellence, and recognition from World Press Photo Foundation, the Overseas Press Club, Pictures of the Year, and the Medal of Honor for Distinguished Service to Journalism from the University of Missouri. Her work has been featured in National Geographic Magazine, The New York Times Magazine, Smithsonian Magazine, AARP, The Guardian, and Geo Magazine among others, and is featured in the Library of Congress and in private collections. In 2013, Maggie was named as one of eleven Women of Vision by National Geographic Magazine, publishing a book and touring in an exhibition in five American cities. Maggie talks about her love for history, a near-death experience covering conflict and her opposition to making poverty porn.

MUSIC FEATURED IN SHOW:

Our featured music maker this week is Brooke Singer, of French for Rabbits. PLAYLIST featured from "Spirit" and "Claimed By The Sea."

  • The Other Side
  • Claimed By The Sea
  • Spirits
  • Cold
  • Goat + The Other Side
  • Wisdom
  • Woke Up in a Storm
  • Hard Luck Stories
  • Gone Gone Gone

Listen here.

“If you’re just there for a picture, forget it. In fact, please don’t go if that’s all you’re trying to do in a country, is document people who are suffering, just because you’re trying to build a portfolio. Please don’t go. If you really are sincerely interested and beyond ‘getting a great picture,’ people will tell you everything about themselves, and it enriches your own life.”
— Maggie Steber

CREDITS
PRODUCED BY: Elaine Sheldon & Sarah Ginsburg

SOUND DESIGN BY: Billy Wirasnik

PRODUCTION ASSISTANCE: Alijah Case

ILLUSTRATION: Christine Cover

2. Lyric Cabral: You Gotta Have a Beat /  by Elaine Sheldon

Lyric Cabral is a photojournalist and documentary filmmaker based in the Bronx. She, along with her co-director David Felix Sutcliffe, premiered her feature-length film (T)ERROR at Sundance this year in the US Documentary category. (T)ERROR is billed as “the first film to document on camera a covert counterterrorism sting,” but the documentary has been in the works for over a decade. Lyric came across the film’s subject, an FBI informant, when she was only 19, but knew she was too young to tackle the story then. Lyric talks about the uncomfortable situations she’s found herself in as a photojournalist, being inspired by Gordon Parks, spending over a decade covering national security issues, and returning to a story 12 years after discovering it.

Name: Lyric R. Cabral

Current City: New York City

DOB: 1982

What are you listening to? D'angelo and the Vanguard "Black Messiah"

What film/book/show/piece of media changed you? I really appreciate the silent film "Sidewalk Stories" by Charles Lane. I saw the film at a time when I was making the professional transition from still photography to moving images. The film is quite moving for me because each frame is beautifully photographed, and reflects an attention to detail that reveals the sensitivities and struggles of life in New York city.

Who is your career role model? Someone who I admire personally and professionally is filmmaker Shola Lynch. I value that her body of work critically examines the lives of Black women (Shirley Chisholm, Angela Davis) in America, as these stories are typically lesser seen on screen. Shola is a meticulous archivist and historian, who researched "Free Angela" for 8 years. I am inspired by the tremendous commitment that motivates each of her films, and by the engaging narratives that she presents on screen.

What is a tool you can't live without? I really appreciate Twitter. I am able to access the perspectives of citizen journalists around the world, and research stories in a unique way.

How do you take your coffee?  One sugar and a little whole milk

What’s your spirit animal? A calico cat

 

LyricCabral-SheDoesPodcast
 

RELATED LINKS

“I am the type of journalist that I’m never done. I don’t drop in and drop out. Whether they get a Christmas card from me, or I try to call, I just really try to stay in touch with people. I really don’t like the feeling of: I come in. I document you. I publish it. And then I just leave you alone with the consequences of whatever happens because you are now public. I’m never quite done.”
— Lyric R. Cabral

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

 

CLIPS FEATURED IN SHOW:

Blank Panther archival, (T)ERROR