field of vision

28. Iva Radivojevic: Entering A Different State /  by Elaine Sheldon

Iva Radivojevic is a documentary director and editor. She was born in Yugoslavia, raised in Cyprus and has lived in New York City since she was 18 years old. Much of her work explores belonging, and draws from poetry and personal experience. Her debut feature, "Evaporating Borders," examines migration, tolerance and identity through the experience of asylum seekers in Cyprus. The film has received awards worldwide and was nominated for an International Documentary Association (IDA) Award and a Cinema Eye Honors Spotlight Award and screened over 80 times at festivals, including SXSW, Human Rights Watch FF, Rotterdam IFF, DokuFest and HotDocs. Iva is the recipient of the 2015 Guggenheim Fellowship and was named one of 25 New Faces of Independent Film of 2013 by Filmmaker Magazine. In this episode Iva talks about her series "IvaAsks" where she learned how to make films, her draw to poetry, working as an editor, her new film inspired by Jorge Luis Borges’ “Aleph,” and the things she does (writing, exercising, meditating) to keep her life calm and collected.

Name: Iva Radivojevic

Current Town: Brooklyn

What are you listening to now? Nana Vasconcelos, Toto la Momposina, Connan Mockasin

What film/book/show/piece of media changed you? Here are a few things that left a permanent imprint:
Arundhati Roy's "The God of Small Things" and consequently most of her work.
Alain Resnais' "Last Year at Marienbad"
Ilya Khrzhanovsky's film "4"
"For an imperfect cinema" an essay by Julio Garcia Espinosa
"What's wrong with the liberal documentary" an essay by Jill Godmilow

Who is your career role model? There are so many people. I also find myself lucky to know many brilliant, creative and intuitive minds, not only filmmakers, but also musicians, poets, painters, runners, activists etc. and so I steal a little wisdom from each, from all directions and blend it to what works for me. 

What is a tool you can't live without? Pen and paper (MUJI), Camera, Music

How do you drink your coffee/tea? Tea! (Caffeine makes me crazy)

“Poetry speaks volumes and it digs and penetrates much deeper than if I was to do something in a purely journalistic way and disseminate information. I don’t want to throw stuff in your face or bang you over the head with information. I really love the written word and I like how that matches up, or doesn’t match up with images and how they can dance together or repel each other. ”
— Iva Radivojevic

26. Charlotte Cook: Look on Behalf of the Audience /  by Elaine Sheldon

Charlotte Cook is a documentary film programmer, curator, producer and co-founder of Field of Vision. Charlotte was the Director of Programming at Hot Docs film festival for four years before she left in May of 2015 to start Field of Vision, a visual journalism film unit that aims to commission 40 to 50 original episodic and individual short non-fiction films each year. Charlotte co-founded Field of Vision with Academy Award-winning director of “Citizenfour,” Laura Poitras, and filmmaker and founder of Cinema Eye Honors Aj Schnack. In this episode, we talk about Charlotte’s journey to programming Hot Docs, including her time at The Times, BBC Storyville, and The Frontline Club. Charlotte also walks us through what Field of Vision is looking for and how you can be part of it.

“I’ve always hated the term gatekeeper or tastemaker or anything like that. I always say the filmmakers drive everything and I think there’s this weird misconception about that. We are always at the mercy of the filmmakers. And that was something I really always tried to get through at HotDocs, ‘It’s not your honor to screen with us, it’s the other way around.’”
— Charlotte Cook

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CLIPS USED IN SHOW

Name: Charlotte Cook

Current City: New York

Current Gig: Co-Creator and Executive Producer of Field of Vision

What are you listening to now? I find it impossible to pick favorites but the two songs that I listen to the most, because they soothe my soul, are "The Weight of My Words" a Four Tet Remix by Kings of Convenience and "Girlfriend" by Phoenix. And my favourite album of last year was Jamie xx, "In Colour."

What film/book/show/piece of media changed you? One of my roommates at university was working on an art project and became obsessed with the documentaries "Party Monster: The Shockumentary" by Randy Barbato and Fenton Bailey, and The Legend of Leigh Bowery by Charles Atlas. He would watch them everyday and I became sucked in by them while I was helping to photograph his work. They were not only my introduction to seeing how non-fiction could really speak to someone and mean so much to them, but also to documentaries that were outside of the more informative, issue films, and spoke to different subcultures and voices. It began my path of ferociously watching non-fiction.

"Fourteen Days in May" by Paul Hamann opened my eyes to the power of documentary and "Portrait of Jason" remains my favorite documentary of all time. The exploration of performance and representation of reality and storytelling is still very powerful to me.

I've always been a huge Steven Soderbergh fan. His use of color in "Out of Sight" was something that really made me fall in love with exploring how directors use visuals in storytelling. I will always pay attention to the work Kyle Cooper makes, I find it fascinating and inspiring.

Who is your career role model? I've always really admired how Ben Hammersley has navigated his career. From the diversity of ways he works, in different mediums, and being someone who is very multi-faceted. But really my role models are those who are committed to supporting, and advancing the medium or field they work in. Whether it's helping to give other people opportunities, creating discussion or building new avenues or outlets for those in their field.

What is a tool you can't live without? Notebook and Pen. I write by hand, every day, for various reasons. I still find nothing more useful, productive or cathartic.

How do you take your coffee/tea? Milky, two sugars in both, which is sacrilegious for most of my fellow British people.

CREDITS:

  • Produced by Sarah Ginsburg & Elaine Sheldon
  • Sound design by Billy Wirasnik
  • Illustration by Christine Cover

MUSIC: in this episode is by Alexandria Hall of tooth ache. Listen and purchase her music on bandcamp! 

 

Featured songs: Skin, Lazarus, Sediment, Guilt, Wild Horses, Not Even The Moon, Body Heat

Featured songs: Skin, Lazarus, Sediment, Guilt, Wild Horses, Not Even The Moon, Body Heat